\r\n Kathakali is one of only a handful not many traditional fine arts that has figured out how to flourish and thrive in the whirlwinds of innovation, on account of the endeavors of another age of Kathakali fans. Notwithstanding, just a chosen few have the promise to seek after the craftsmanship as a thorough order and plunge into the very center of its imaginative and philosophical profundities. Milena Salvini is one of them. 

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\r\n Milena's dedication and comprehension of the feel of Kathakali is remarkable. Her commitments in advancing Kerala's customary performing expressions, particularly Kathakali and Koodiyattam, in Western nations are imperative. 

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\r\n In a meeting, she once referenced that it was a book wrote by K Bharatha Iyer, titled Kathakali-Dance Drama of Malabar, which pulled in her to Kathakali. Intrigued by the legendary substance and the one of a kind structure of the theatrical workmanship, she chose to visit Kerala, the place where there is Kathakali. On her approach to Kerala, she invested energy at Shanthiniketan, Kolkata, and the International Center for Kathakali, New Delhi, from where she took some fundamental exercises regarding the matter.

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